ˌdo͞obl änˈtändrə,ˌdəbl änˈtändrə

INTRO

CDB: Christina Davies Beeson would be proud. A moment ago I used something she taught me in 1972. She taught journalism and sophomore college English at Colton High School in Colton, California. A blog post I finished reading a moment ago, by Aaron Hogan, brought it all back to me. The double entendre.

A Tail of Two Meanings

Aaron describes, in his blog post, risk. But that's not what resonated with me as I read his thoughts.

Uncalculated leapt off the page as I read. Whom did the uncalculation? Shaker-man was just into the music, the experience of listening and doing, of feeling something down deep and wanting to be a part of it. That's being in touch with one's soul. Did he plan on being called up to the stage? I think he simply likes the shake. The singer on stage, his was calculated. He wanted to get what he perceived as a disruption away from those around him. It was luck that the rest happened, that the experience played out as well as it did.

OUTRO

My take is uncalculation is its own reward. Being who we are, naturally, makes an impression. I can't help but wonder: In those moments before being noticed by the singer, was shaker-man really disrupting the listening experience of nearby fans? Maybe he was adding to their experience?

 

Portfolio Fan

PROLOGUE

Another sleepless after an EdCamp night. This time it was EdCampNavasota in Navasota, Texas. It could have been just about any other one though.

A GNOME DIPS HIS TOE IN #PEDAGOME

It began innocently enough, almost by accident. I happened upon a hashtag nine days ago: #PEDAGOME. They seemed to be discussing ways for students to share their learning using a portfolio creating app called Seesaw.

Screen capture of a pedagome question and answer about how the Seesaw app can make portfolios of work students can share with each other

Seesaw, I learned, makes it easy to create and share student portfolios. A student can take a graphic, a #booksnap of a page in a text, and annotate it with words or pictures or narration. The idea is to share perspectives among a community of students.

CAN YOUR LMS DO THAT?

At EdCampNavasota student portfolios came up. The sharing was fast and furious. The parts I was able to capture included Seesaw, making ideas visible and.. That was as far as I got. A lightbulb went off in my head.

How might we use portfolios in elearning? Enjoyably. I've seen sharing in elearning before. Usually it integrates with a business unit's blog. Someone learns something. Then they post a blurb about it in the blog under their byline. Sometimes there's a link to an external resource. Sure, it's functional. But it's flat, too. Stuff like that doesn't excite so much.

Sketch of ways to share learning among peers in real time

What if it were possible to take a screen capture of a bit of elearning content and mark it up (annotate it) using drawing tools? What if this snippet of learning made visible were shared, maybe in real-time, with others? But instead of going out on that blog the image, a #booksnap I've learned they're called, is embedded, sticky-note like, on the screen it came from? Or maybe it does go out to an external resource like Padlet?

EPILOGUE

I wonder how I could prototype this to share with my next client? Would they be interested? Maybe..

 

Unrequieted Love

INTRO

My Bebop2 drone by Parrot met its end a couple of Sunday's ago when it decided to “fly away” into a pecan grove somewhere between Phoenix and Tucson, Arizona.

Artist sketch of a red Bebop 2 drone crashing into a pecan grove

A LOVE AFFAIR

I loved that drone. It was the replacement for the fifth one I bought. I got each one at Best Buy because of their liberal return policy. The drone is a dream to fly. It gives my view a little more reach.

OUTRO

I love it so much I got another one. I can't wait to fly again.

 

Size is anything

PROLOGUE

I got a drone the other day.

SIZE ISN'T EVERYTHING — IT'S ANYTHING

Coming back from an EdCamp Sunday I stopped to fly my BeBop 2 drone. I'd had it aloft a few times already. But those were in my backyard to get familiar with its controls. The spot I picked to see what the drone could do was about an hour west of Phoenix, Arizona far from any airports. It was nestled among two hills that would probably keep larger aircraft away.

I flew the drone up and down this way and that for a while. It was fun let me tell you. After a while I remembered the Bebop 2 is good for about 25 minutes flying time before the battery is completely drained.

That's when I noticed the tower.

Photo of a water tank

I flew the drone towards it. Not being sure how far from my iPad (an app on it lets me drive the drone) the control signal was good for I moved briskly with it. I decided to try a flyby.

Anyway, now it's a couple of days later and I've just read a blog about PLN (Personal Learning Network) size shared on Twitter by @elearning.

Screen capture of a tweet leading to blog post

Its author, @Tracy_Parish, wrote about these rings of PLN scope.

Sketch of concentric circles

Here's the thing, when I engage with my PLN it's usually in one or two ways: conversations on Twitter or long drives to gatherings. Most of the gatherings are with people outside the instructional design discipline.

EPILOGUE

So why did I get the drone? Officially it's for an RFP response. Unofficially it's because in the past year I've seen some members of my PLN light up about drones. The first time was during CUERockStar Vegas when teachers got on the floor on their bellies to see a drone in action. The second time was at a San Diego CUE event where someone I know through Twitter won one.

As my drone flew around the tower at an altitude of about 15 metres I stopped worrying about how far the control signal reached. I was deep into the WOW zone wondering where the drone might take me.

So how big is my PLN? A few at a time.

 

Hey Joe, Whaddya Know?

INTRO

“Hey Joe! Whaddya know?”

NOW WHERE IN THE WORLD DID THAT COME FROM?

This is my first PuzzlingMix blog post of 2016. It comes to you from the virtual reality of one instructional designer (me) after he came across a #moocmooc post on instructional design as subversion. It's author, @slamteacher, was writing to kick-off a social learning experience MOOC (Massive Open Online Course). I'm not sure that the second mooc in moocmooc means though.

Anyway, moocmooc began yesterday. I tweeted a couple of thoughts about it but wasn't engaged to where I wanted to share deeper. That is not until I came across a Periscope video clip teacher @Don_Jacobs was kind enough to share. In the recorded clip (available for 6 more hours as of this writing), educational researcher Sir Ken Robinson said something which resonated with me: “We see virtual realities of what is.” or words to that effect.

Robinson talked for an hour; maybe he did. I didn't listen to all of his talk. Ideas, like the wheels on my Honda Pilot whilst I'm driving to an EdCamp, started turning in my head. Next thing I knew I was drafting this post.

Photo of varied images with text asking the question what do any of us really see

My point is that instructional design and learning aren't subversive as @slamteacher sees it. My take on it, based on my subjective perspective of reality, is that it's more like subdivision. How any one particular learner slices and dices up what they're learning depends wholly on where they've been and where they're going.

THAT'S WHERE THE FUN IS

The thing about instructional design is coming up with a learning experience that brings people together. The resulting mashup of each learner's shared perspective colors others' virtual reality. It results in a deeper state of know-how. It's like in Mannfred Man's Earth Band in Blinded by the Light: “But mama, that's where the fun is.”, subdivide and learn.

OUTRO

Instructional design involves the mashup of ideas learners subdivide based on their selves (selfs?, elfs?, Elvis?) perception of the learning as they experience it. Learning takes off when learners share their perspectives. The Internet is a great place for finding and sharing stuff. I love it!

 

2015 Through a Looking Glass

PROLOGUE

My 2015 resolution was to be an unordinary instructional designer.

THE ZOMBIE ENGAGEMENT MODEL TO THE RESCUE

Mostly I design transformational learning experiences. It's a relative phrase, though. The learners I support are clinicians: doctors, nurses, and other healthcare staff. A good chunk of their professional development (PD) comes in the form of conferences. Conferences are mainly sit and get events, often accredited. My challenge in 2015 was to increase engagement. I accomplished this through butts-out-of-seats (BOOS) activities. My model: teachers and students in K-12.

Sketch of a person's reflection in a mirror

At CUE15 in Palm Springs, CA I heard a teacher mention the Zombie Engagement Model (ZEM) of instruction. I'm pretty sure she made up the term. I haven't been able to turn up anything about it even after researching it for most of the year. It got me to thinking though. What are zombies after? Brains. They want our brains and the know-how that resides therein. Successful zombies get and consume brains by moving around. Woe to the stationary zombie.

Here's what months of research into the Zombie Engagement Model revealed.

1. Squiggle like you mean it, at every opportunity.

Squiggles

My work involves collaborating with subject matter experts (SME). It used to be that I would take pains to learn as much as I could about the content side of a project before meeting with a SME. No more. Since I started practicing design thinking the SMEs tend to do the heavy lifting. I squiggle what I think they say (dark lines in sketch). Then they tell me how it really works (red lines in sketch). This saves a lot of time and effort. In fact, in the projects I worked on in 2015 SMEs did most of the prototyping and testing. Want to be in the know? Squiggle.

2. Be seriousless.

Screen capture of a Spock like avatar

I learned about Plotagon in 2015. It's an animation app on my iPad. I use it to mock up ideas and storyboards. Sometimes, heck most of the time, my ideas are so different others don't get them right away. Plotagon helps me make ideas visible. Sharing out an idea quickly engages like nobody's business. It gets people talking and moving ideas around. Want real engagement? Be seriousless. @ChristyCate gave me the heads-up about Plotagon.

3. Roll Your Own

Photo of the Urbie and his granddaughter Carly

I wanted 2015 to be unordinary. I didn't get there being conventional. It involved learning alongside a diverse group of people. Carly was one person I learned tons from. She's my granddaughter. We like shiny objects. I used to fear misses and fails. They don't faze Carly in the slightest. In a safe environment learning is play. Take risks. Get it right the nth time. Be unordinary.

4. Show your work

Screen capture a a person with her arms in the air confronted by a zombie

Share what you do with others. Blog about it. Tweet like you stole it. Which, when you stop to think about it, you might have. I don't live or work alone. I interact with a great many people in person and virtually. My work is influenced by those I'm with. Give credit where it's due and show your work. @JaneBozarth turned me on to this.

5. Slow Down

(Image created by @davidtedu and @clonghb, used with permission)

I learned about micro narratives last week. I used to ask questions to encourage others to share their story. Then I'd figure it out and move on. What I think I'll do next year is continue encouraging others to share but then ask them to figure out and share what it means. I think this will enable me to produce higher fidelity learning experiences. I was encouraged to do this by slowing down one day and giving a listen to Dave Snowden.

EPILOGUE

My blogging hit its stride this year. I have two blogs, PuzzlingMix and Connect the Dots. I don't have a set schedule for writing and posting. I do it for myself. They're reflective journals for the most part. Want to see how my year went: Check out the blogs.

I learn from teachers that teach in K-12 schools, mostly through meetups at EdCamps, CUE, AZK12 hackathons and the eLearning Guild. Most of what I learn is transferable to adults: strategies and activities. The true gems, like the Zombie Engagement Model, spike my interests. How Might We (HMW) is a phrase I repeated a lot in 2015.

My 2015 takeaways: learners ain't zombies. Through context rich (stories and scenarios) experiences learners get up, engage and collaborate with their peers and make their learning visible. Be the unordinary instructional designer.

Thank you to my PLN for helping and encouraging me to be unordinary. See you in 2016.

 

Dee Ess One Oh Six

PROLOGUE

Eight six seven five three oh nine.

CALL LETTERS AND OTHER SIGNS

At 20 working in Los Angeles KFI AM was my radio station. Dick Whittington, Lohman and Barkley and other radio personalities helped make the long commutes bearable. At least it they did until that jackknifed taco sauce tanker truck accident on the Santa Monica freeway that hot June afternoon got me to enlist in the US Navy. But that's a story for another time.

KHJ, KTTV, KTLA and KCOP were the TV stations I watched growing up. They introduced me to The Million Dollar Movie where I saw Godzilla for the first time, Gigantor, Seymore and his cheesy sci-if movies and Felix the Cat.

More recently the stand-out call sign is ds106 and the daily create TDC hashtag. For some months in 2011-2012 ds106 and TDC helped connect me with my creative side. I was working at the FLETC (Federal Law Enforcement Training Center) in New Mexico in those days.

Rough sketch of a horse

Anyway, each TDC gave me a creative challenge to complete. I started most days with one. It helped ease me into my days designing learning experiences. It helped me find my groove.

EPILOGUE

A little while ago I was pleased to notice a retweet that mentioned a draw a horse TDC.

So I accepted the challenge and it's like I'm home again.

 

Marbles

INTRO

I’m taking a MOOC this month. It’s about designing a little humanity into the online learning experience. As you might imagine, being human, I have strong feelings about it.

WHEN LOSING YOUR MARBLES IS A GOOD THING

I think the Humanizing Online Learning MOOC I’m taking is off to a bumpy start. It’s only borderline engaging. At the moment I’m listening to a webinar. I’m not really paying attention to it though. The reason is I don’t see it as engaging. Humans have five (traditional) senses: sight, smell, touch, hearing and taste; the webinar, comprised of video and audio, engages only hearing since I’m not watching it. (One might argue it’s engaging my sense of touch and sight, too, since I was sketchnoting).

Sketch of children learning to play marbles

Whilst I was not watching the webinar I drew the above sketch in Paper by 53 on my iPad. It’s a memory of me as a boy learning to play marbles. Everything I heard the instructor talk about in the webinar is contained in the sketch: trust, community, activity, being real and safety.

OUTRO

My takeaway from the webinar is that students want context in their learning experience. They want to do stuff with their bodies and minds. If they can do stuff with others in meaningful contexts so much the better.

 


Hours of Code

INTRO

I've been hearing lots and lots about Hour of Code during PD and Twitter chats. So the other day I got an app and started playing.

PLAYING WITH PUZZLES

I asked a teacher the other day how I might start my granddaughter Carly on learning to program. She said puzzles. Get her puzzles and puzzles and puzzles. So I thought, maybe I should do puzzles first and see what it's like. So I did.

Screen capture of a Lightbot screen

This puzzle took me hours over several days to solve. Solving the puzzles leading up to this one I hadn't yet figured out how a kid would learn programming fundamentals beyond memorizing terms.

At the end of this one, 4-6 on the Lightbot iOS app it hit me: patterns, patience and practice. Check out this video showing how it works. Notice how the bot appears to go back on itself? Early on I would stop it, thinking that it was bad. I didn't let it finish. I learned to quiet my mind and let the iteration run to its end. Another thing I learned is that there may be more than one correct puzzle solution. I have to talk with others about this to make sure.

OUTRO

Anyway, the idea that me, an instructional designer would be playing with programming puzzles seems, on its face, weird. But the thing is, it's fun solving puzzles. Fun made the learning experience very engaging. I can definitely use that in my craft.

 

 

 

Begin with the bend in mind

INTRO

I'm doing a talk on interactive presentation design at AZTEA's Fall tech conference. In the spirit of #lrnchat and #ShowYourWork here are some things that helped me ideate and produce the experience.

WANT INTERACTIVE? MOVE

What's wrong with this picture? In a typical conference session attendees mostly sit. If they have wifi and a mobile device they could be doing most anything. How can the presenter make participants out of attendees?

 

TELL ME A STORY, THEN GET OUT OF MY WAY

How about walking participants through a story a little at a time?

Maybe something that talks to us at an emotional level.

Or that asks us to think really hard about about what we want.

Maybe having someone near to guide us?

OUTRO

So that's the gist of the idea. Three simple slides telling a story.